In this station, abundance is conceived as reverberation — what echoes, what persists, what becomes visible when we see and listen with time, attention, and openness. It manifests in silence, in latency, in what resists evidence or the speed of the image. Against an idea of visibility as totality, the works presented here operate through subtlety, deviation, and displacement.

Mapping is, in this context, a critical and sensitive gesture. The works rehearse ways of rereading archives, listening to territories, or inhabiting time differently. Between soundscapes, historical documents, geological tremors, and damaged images, a common field of inquiry emerges into how memory is produced and transmitted — and how to listen to what has been left unsaid. By bringing body, archive, sound, and matter into relation, these proposals open up space for situated, relational, and affective forms of knowledge.